Purpose and scope
Ulvessa Stage develops creative concepts, video, online series, motion graphics, interactive content, and related materials. This policy explains general ownership and permission principles for website content and potential client work. Every commissioned project should also have a written scope that identifies its actual deliverables and rights. If that agreement has more specific terms, those terms govern the project.
A production can contain several rights at once: script, footage, artwork, music, recorded performance, brand marks, software, templates, stock media, and a person’s image or voice. Possession of a final file is different from ownership of every underlying right. A usable delivery requires the permissions appropriate to the intended channels, territories, duration, and media.
Client-supplied materials
Clients should provide only materials they own or are authorized to use for the planned production. This includes music, footage, artwork, copy, brand elements, and any identifiable person’s name, likeness, or performance. The client should communicate restrictions, credit obligations, expiration dates, and approval requirements before work starts.
Providing a file does not transfer its ownership to Ulvessa Stage. The client grants only the limited permission needed to evaluate, develop, edit, and deliver the agreed project. We should not use client materials for an unrelated project or a public portfolio without the applicable permission. A client should not request use that violates another party’s rights.
Studio materials and background tools
Existing methods, templates, libraries, workflows, software, concepts, and materials developed independently of a particular commission remain with their original owner unless expressly transferred. A finished piece may include licensed or embedded background elements that are necessary to use the deliverable but are not supplied as separately owned source assets.
Unselected ideas, pitches, alternate edits, working files, and raw footage are not automatically included in a final delivery. The project agreement should say whether any of these are deliverables, whether editable files are provided, and whether an additional fee or license applies. The parties should clarify reuse of an unselected concept before treating it as an assigned asset.
Final deliverables and assignment
A signed statement of work should state whether a client receives an assignment of identified original deliverables, an exclusive license, or a nonexclusive license; when rights take effect; and what uses are allowed. In the absence of a clear written transfer, rights should not be assumed to have changed ownership merely because a project was discussed or an invoice was paid.
A designation of work made for hire has specific legal requirements and should be used only where the law and signed documents support it. If the parties intend a broader transfer, an express written assignment should identify the work and any exceptions. Third-party content cannot be transferred more broadly than its underlying license permits.
Third-party assets, talent, and platforms
Stock footage, fonts, sound recordings, musical compositions, plugins, platform assets, and other licensed components can have limits on distribution, modification, sublicensing, paid advertising, or use in sensitive contexts. The scope should identify material third-party costs and who is responsible for acquiring the needed license. A client may need to maintain a separate license after delivery.
Talent, performers, contributors, and locations may require releases or permissions. The party responsible for obtaining each release should be identified before filming or publication. Platform rules can also govern uploads, use of music, branded content disclosures, and interactive features. A deliverable license does not override those outside requirements.
Portfolio use, credits, and confidentiality
Public display of commissioned work by Ulvessa Stage should follow the written project agreement and any confidentiality obligation. A launch date, embargo, brand approval, or exclusive-use period can limit what may appear in a portfolio. Without an agreed right, a client should not assume that confidential drafts will be published.
Credit requirements should be recorded in the project documents, particularly when a third-party license or contributor agreement requires attribution. Each party should respect the other’s names, marks, and reputation. A general reference to a project does not grant permission to reveal confidential strategy, unpublished assets, or personal information.
Rights concerns and requests
If you believe material on this website infringes your rights, send a detailed notice using the contact information below. Identify the work, the material at issue, its location on the site, your contact details, and the basis for your claim. We will review sufficiently detailed notices and take appropriate action under applicable law.
This page is a general policy, not a substitute for a signed production agreement or a rights clearance review. Where usage rights are material to a campaign or series, the agreement should specify platforms, territory, term, editing rights, paid promotion, sublicensing, and delivery formats before production begins.


